Synopsis
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.
Votre Filmothèque
Recommandations
Soyez le premier à écrire une critique sur Bocal aux poissons rouges.
