EUGEN SCHÜFFTAN
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From Wikipedia, the free encyclopedia
Eugen Schüfftan (21 July 1893, Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, New York City) was a German Jewish cinematographer.
He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets.
One of the first uses of the process was for Metropolis (1927), directed by Fritz Lang.
People on Sunday 1930
The Hustler 1961
Eyes Without a Face 1960
Bluebeard 1944
Port of Shadows 1938
The Big Scare 1964
The Bloody Brood 1959
High and Low 1933
The Virgins 1963
A Couple 1960
Summer Storm 1944
The Invader 1936
The Trouble with Money 1936
The Crimson Curtain 1953
Yoshiwara 1937
Una parigina a Roma 1954
Something Wild 1961
There's No Tomorrow 1940
A Scandal in Paris 1946
Hitler's Madman 1943
Gunman in the Streets 1950
Farewell 1930
Lilith 1964
Three Rooms in Manhattan 1965
Hatred 1938
Bizarre, Bizarre 1937
The Respectful Prostitute 1952
Women in the Night 1948
The Tender Enemy 1936
Head Against the Wall 1959
Club Havana 1945
Unsichtbare Gegner 1933
Hawkeye and the Last of the Mohicans 1957