MARCELLO GATTI

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Marcello Gatti (Rome, February 9, 1924 - Rome, November 26, 2013) was an Italian cinematographer.
He was one of Italy's most important cinematographers.
During his long career, he won five Nastri d'argento, photographed two Oscar-nominated films The Battle of Algiers by Gillo Pontecorvo and The Four Days of Naples by Nanni Loy, and another Palme d'Or at Cannes Chronicle of the Embers years; he worked among others with Roman Polanski, Carlo Lizzani, George Pan Cosmatos and Giancarlo Giannini, who chose him for his directorial debut with Ternosecco.
The film for which he is often remembered is The Battle of Algiers (1966), which won the Golden Lion at Venice and had three Oscar nominations, standing out precisely because of a memorable black-and-white, grainy, documentary photography inspired by the style of cinéma vérité [2] that Gatti had already begun to elaborate in Nanni Loy's Le quattro giornate di Napoli (1962), also nominated for an Oscar.
With Pontecorvo he also shot Queimada and Ogro.
- Moses the Lawgiver 1974
- The Hassled Hooker 1972
- Burn! 1969
- The Four Days of Naples 1962
- The Anonymous Venetian 1970
- Mr. Robinson 1976
- The Escape 1964
- Bianco, rosso, giallo, rosa 1964
- Summer Frenzy 1964
- The Con Artists 1976
- The Salamander 1981
- Operation Ogre 1979
- I cuori infranti 1963
- The Black Belly of the Tarantula 1971
- Latin Lovers 1961
- The Battle of Algiers 1966
- Ternosecco 1987
- Break Up 1978
- What? 1972
- Girolimoni, the Monster of Rome 1972
- Massacre in Rome 1973
- Three Tigers Against Three Tigers 1977
- The Protagonists 1968
- Killer Cop 1975
- What Did Stalin Do to Women? 1969
- Sin 1971
- Chronicle of the Years of Fire 1975
- Love Under the Elms 1975
- Amore e ginnastica 1973
- Bastard, Go and Kill 1971
- A Day for Lionhearts 1961
- Blood, Sweat and Fear 1975
- Family Killer 1973
- I Kill, You Kill 1965
- The Tall Women 1966
- The Attic 1963